Este artículo inicia con una esquemática revisión de las ideas centrales del capítulo V “La dinámica del derecho” del libro Teoría Analítica del Derecho de Jorge Rodríguez, para luego cuestionar algunas afirmaciones que, a mi modo de ver, no siempre tienen una justificación evidente, explícita o satisfactoria. De esta manera, específicamente, el artículo se centra en: (i) mostrar cómo las propuestas de Rordríguez constituye un desarrollo adicional o sofisticación de los planteamientos formuladas por C. Alchourrón y E. Bulygin; (ii) evidenciar (...) cómo en sus aspectos generales esta sofisticación es adecuada y difícilmente refutable (aunque no imposible); y (iii) resaltar cómo algunas afirmaciones claves en el desarrollo del texto no siempre están acompañadas de una adecuada fundamentación. Por ello, si bien Jorge nos entrega su propia visión de la dinámica jurídica, la cual en trazos generales podemos compartir, en algunos detalles de la presentación se esconde alguien. Si es dios o el diablo quedará en manos de cada lector o lectora. (shrink)

na parte importante de la literatura sobre la ontología de las normas jurídicas se ha decantado por entenderlas como algún tipo de objeto o entidad abstracta. Sin embargo, más allá de los matices propios de cada concepción, aún no se presenta una discusión en torno a qué implica que las normas jurídicas sean entendidas de esta manera. Esta omisión se podría explicar porque en el propio debate filosófico todavía no hay una articulación teórica respecto de qué subyace a la dicotomía (...) concreto/abstracto, sino más bien distintas maneras de explicar la distinción. De ahí que, en el intersticio entre dos problemáticas no suficientemente abordadas, este trabajo se propone enmendar uno de dichos vacíos explicativos a través de contribuir a determinar si corresponde (o no) entender las normas jurídicas como objetos abstractos. (shrink)

A mediados del 2021 nos dimos cuenta de que, debido a la pandemia, el excelente libro Teoría Analítica del Derecho de Jorge L. Rodríguez, no había logrado el reconocimiento debido en la comunidad analítica del derecho. Para remediarlo, organizamos un Seminario de discusión de sus principales ideas. Esta sección especial que hoy presentamos en Isonomía cuenta con una selección de las contribuciones que reflexionan sobre diferentes capítulos del libro, y cierra con el artículo de Jorge L. Rodríguez revisando cuidadosamente sus (...) ideas en respuesta a las y los comentaristas. (shrink)

Al sur de la iglesia San Sebastián se perciben restos en los cuales se pueden ver dos baños islámicos. El baño de Suso apareció en el curso de excavaciones arqueológicas tras haber documentado unas tenerías de época posterior. En el baño de Yuso se han conservado tres salas abovedadas de medio cañón. Además, en la sala del poniente, identificada como sala caliente, está un arco de herradura, un ábside, y la traza de un arco geminado. El contacto entre la (...) caldera y la sala caliente se ha conservado bajo la forma de un arco de medio punto. En el baño de Suso se han conservado el hipocausto y las toberas. Estos dos baños tienen muchas similitudes. Nos revelan, por primera vez en Toledo, el modo de calefacción de la sala caliente. Hasta el momento, no son conocidos en los documentos medievales. (shrink)

Resumen: Este artículo postula que el mejor modo de leer la Relectio de Indis de Francisco de Vitoria es considerar que no solo se trata de un texto que pertenece al género de análisis político. Para fundar esta hipótesis de lectura la investigación discurre en tres niveles: analiza el contexto de producción del texto; fija las características de los textos de análisis político y propone un autor y lector modelos de la Relectio. La conclusión de la investigación distingue entre interpretación (...) y uso del texto, y sostiene que la interpretación de la Relectio exige que el lector empírico conozca los tres niveles de análisis, mientras que el uso del texto exige considerar que él trata un conjunto de soluciones a problemas perennes en las sociedades: los dilemas interculturales.: This article postulates that the best way of reading Francisco Victoria’s Relectio of Indis is having in mind that it not only is about a text which belongs to the political analysis genre. To support this reading hypothesis, the investigation proceeds in three levels: First, it analyzes the context of production of the text; second, it sets the features of the texts of political analysis and; third, it proposes an author and model reader of the Relectio. The conclusion of the investigation distinguishes between interpretation and the use of text as well as it holds that the interpretation of the Relectio demands the empiric reader to know the three levels of analysis, whereas the use of the text demands him to deal with a set of solutions to perennial problems in societies: intercultural dilemmas. (shrink)

E. San Juan Jr. examines Peirce’s discourses on semiotics, ethics, and aesthetics and suggests their analogies with the radical critiques of Marx and other progressive trends.

Este breve ensayo analiza la estructura de la vida estética, tanto en su faceta ontológica, como en su faceta antropológica vivencial, para mostrar que precisamente en ella, en tanto que discurre en esencial comercio con el mundo en los procesos de objetivación y encarna-ción del espíritu en la obra, se manifiesta y pone en juego la misteriosa realidad humana, espiritual y corpórea a la vez, lo que sirve para un mayor conocimiento de ella.

En este ensayo se hace una valoración de la situación actual de la estética y se estudia cuál es la aportación del pensamiento del filósofo español X. Zubiri a la misma. Para ello se reconstruye a grandes rasgos la historia del pensamiento estético hasta el momento actual de modo que sean claramente perceptibles las aportaciones a la estética de la propuesta del pensador español, a la vez que las posibilidades que abre para un desarrollo ulterior de esta disciplina. Para mostrar (...) las aportaciones a la estética de Zubiri se exponen las características fundamentales de su pensamiento en las que destaca su raigambre estrictamente metafísica. Esta raigambre metafísica permite evitar un reduccionismo hermenéutico de la estética tal y como ocurre según el autor en muchas propuestas actuales. Por otro lado, la propuesta zubiriana de incardinar lo estético en una facultad sustantiva como es el sentimiento afectante, permite evitar el intelectualismo y rescatar la autonomía de la dimensión estética de la realidad sin reducirla al bien ni el ser neutro. La propuesta es una alternativa a la teoría de Max Scheler que, no obstante, vuelve a hacerse cargo de la estructura transcendental de la realidad como ocurría en la gran tradición metafísica occidental. (shrink)

«(...) Curiosamente, ha sido Amor y Pedagogia uno de los textos menos estudiados y citados de Miguel de Unamuno. (...)La novela que hoy nos ocupa se elaboró justamente en un momento de la vida de su autor en que habían hecho crisis muchas de las ideas que sobre el progreso indefinido, y en realidad sobre el progresismo y aun sobre el progreso (...). Este es el tema central de sus meditaciones de esos años: la dicotomia entre una tendencia abiertamente metafisica (...) y una dirección radicalmente experimental. A esa ambivalencia mistico-positivista responden muchos de sus escritos de entonces. Y singularmente esta novela, a la que Unamuno lleva la experiencia de su crisis de 1897, la que se refleja en el Diario íntimo, que no es otra cosa que su lucha entre la ciencia positiva y la creencia religiosa, entre la pedagogia humanista y liberadora y la fe del carbonero, que terminan en él con el triunfo precario del espiritualismo, su cristalización como ideología.(...)». (shrink)

In this article are treated, in general strokes, the methodological foundations of the Diccionario de conceptos políticos y sociales de la España de los siglos XIX y XX which has been published recently under the direction of the above mentioned editors. This dictionary in which nearly 200 authors of different Spanish universities and centres of research have collaborated collects more than 100 articles. It is partly inspired by the German Begriffsgeschichte. Its editors, however, have also taken into account the contribution (...) of the famous school of Cambridge by adapting the influences of several methodological currents to the specific claims of their work, i. e. to the elaboration of a dictionary which, on the basis of a huge volume of sources, pretends to cartograph, in an alphabetical order, the principal ideological lines – the discoursive and conceptual ones – of the Spanish 19th century. The article ends with a discussion of certain difficulties and aspects which are treated controversally in the intellectual history. It also claims to give a reflexion on the suitability and meaning which can – in the actual situation of the social sciences – pretend to determine the studies of political languages, especially the basic essays concerning the comparative history of political and social thinking under a conceptual perspective. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.2 (2003) 31-45 [Access article in PDF] Antonio Gramsci on Surrealism and the Avant-garde E. San Juan, Jr. Surrealism provided me with what I had been confusedly searching for. I have accepted it joyfully because in it I have found more of a confirmation than a revelation. It was a weapon that exploded the French language. It shook up absolutely everything....A process of (...) disalienation, that's how I interpreted surrealism. 1In the spring of 1919, André Breton and Phillipe Soupault conducted various experiments in automatic writing. They converted themselves into machines to record the whispers of the unconscious, inspired by Rimbaud's urge for adventure in quest of cosmic knowledge and Lautreamont's conviction of art as a communal enterprise. To destroy bourgeois morality and class inequality, uphold the freedom of the imagination, and release the libidinal energies dammed up in the psyche, surrealism — Guillaume Appolinaire's term 2 — was invented from the nihilistic ruins of Dada to lay the groundwork for building a society founded on liberty and justice. In the same year the Italian Marxist Antonio Gramsci founded the innovative journal, L'Ordine Nuovo and advocated the factory council (modeled after the Russian Soviets) as the germ of an emergent communist society. Both initiatives were pathbreaking in challenging the orthodoxies of modernist bourgeois culture, politics, and philosophy.When Breton published his 1924 "First Manifesto of Surrealism" privileging dreams, the unconscious, the fantastic, and marvelous, Gramsci was the principal leader of the Communist Party of Italy spearheading the opposition to Mussolini's fascist takeover. Two years later, Gramsci was arrested and imprisoned until his death in 1937. In the Prison Notebooks that occupied him while in jail, Gramsci does not — as far as I am aware — refer to Breton or to surrealism directly. But in his scattered reflections on modern art and culture in general, and in his particular observations on Italian futurism (in particular, on Filippo Marinetti and Luigi Pirandello), we can [End Page 31] extrapolate the general approach Gramsci would take toward surrealism and avantgarde art as oppositional cultural practices. This exercise may clarify what a revolutionary Marxist position should be toward the philosophical or pedagogical category of the aesthetic within the field of cultural practice and artistic production, especially in the post-Cold War epoch of nation-state realignments and the reconfiguration of globalized finance capital in the new millennium.All commentators agree that Gramsci viewed the aesthetic as a category within the terrain of historical materialism and the political economy ofvalue in general. Artistic values are rooted in the social and material practices of a specific society which defines the limits of conventional artistic forms and the subject matter available to the artist. Vision or intuition and diverse raw materials (language, sounds, dance movements, and filmic images) are indissociable. Contrary to Benedetto Croce's emphasis on transcendental intuition, Gramsci valorizes the materialization of this intuition into perceptible, sensory structure, an architectonic whole produced by intellectual discipline and shaped by an integral worldview. In short, for Gramsci, the work of art is the historicization and objectification of vision/intuition.Gramsci's conception of Marxism stresses its intrinsic dialectical method, its emphasis on processes and relations within a social formation comprised of multilayered modes of production, given the necessarily uneven development of capitalism. This mode of historicizing life not only to interpret but to change it is a guide for collective action, not a dogmatic party line. "Man 'is' precisely the process of his actions," Gramsci writes, and "relative to what we have thought and seen, we seek to know what we are and what we can become, whether it is true and within what limits that we do 'make ourselves,' create our own lives and our own destinies." 3 Here, knowledge and action are oriented toward linking the past with the present in order to fashion the future. The chronotope of revolution is essentially a collage, more precisely a montage, of transformations that amalgamates contraries, oppositions, disparities.While Gramsci did not endorse Freudian theory completely except by... (shrink)

Intuitively, there is a difference between knowledge and mere belief. Contemporary philosophical work on the nature of this difference has focused on scenarios known as “Gettier cases.” Designed as counterexamples to the classical theory that knowledge is justified true belief, these cases feature agents who arrive at true beliefs in ways which seem reasonable or justified, while nevertheless seeming to lack knowledge. Prior empirical investigation of these cases has raised questions about whether lay people generally share philosophers’ intuitions about these (...) cases, or whether lay intuitions vary depending on individual factors (e.g. ethnicity) or factors related to specific types of Gettier cases (e.g. cases that include apparent evidence). We report an experiment on lay attributions of knowledge and justification for a wide range of Gettier Cases and for a related class of controversial cases known as Skeptical Pressure cases, which are also thought by philosophers to elicit intuitive denials of knowledge. Although participants rated true beliefs in Gettier and Skeptical Pressure cases as being justified, they were significantly less likely to attribute knowledge for these cases than for matched true belief cases. This pattern of response was consistent across different variations of Gettier cases and did not vary by ethnicity or gender, although attributions of justification were found to be positively related to measures of empathy. These findings therefore suggest that across demographic groups, laypeople share similar epistemic concepts with philosophers, recognizing a difference between knowledge and justified true belief. (shrink)

Do laypeople and philosophers differ in their attributions of knowledge? Starmans and Friedman maintain that laypeople differ from philosophers in taking ‘authentic evidence’ Gettier cases to be cases of knowledge. Their reply helpfully clarifies the distinction between ‘authentic evidence’ and ‘apparent evidence’. Using their sharpened presentation of this distinction, we contend that the argument of our original paper still stands.

En el presente trabajo examinaré las observaciones críticas que se presentan en este volumen a las ideas que he defendido en mi libro Teoría Analítica del Derecho (en adelante TAD). Carla Huerta Ochoa ha controvertido algunos puntos de mi enfoque sobre la caracterización del derecho. María Beatriz Arriagada, por su parte, ha formulado interesantes interrogantes sobre mi caracterización de las normas, la normatividad de las reglas constitutivas y mi reconstrucción de los conceptos jurídicos básicos. Mauricio Maldonado Muñoz ha refinado algunas (...) de mis observaciones sobre conflictos normativos y discutido algunos puntos sobre jerarquías normativas. Sebastián Agüero-San Juan ha relevado mi reconstrucción de la dinámica jurídica y puntualizado diferencias sobre el concepto de sistema dinámico, la operación de reforma de normas y el criterio de lex specialis. Finalmente, María Gabriela Scataglini ha planteado cuestionamientos a mi enfoque del dilema del seguimiento de reglas y la derrotabilidad del derecho. Trataré aquí de responder sus comentarios centrales. (shrink)

The modal-Hamiltonian interpretation belongs to the modal family of interpretations of quantum mechanics. By endowing the Hamiltonian with the role of selecting the subset of the definite-valued observables of the system, it accounts for ideal and non-ideal measurements, and also supplies a criterion to distinguish between reliable and non-reliable measurements in the non-ideal case. It can be reformulated in an explicitly invariant form, in terms of the Casimir operators of the Galilean group, and the compatibility of the MHI with the (...) theory of decoherence has been proved. Nevertheless, perhaps its main advantage in the eyes of a scientist is given by its several applications to well-known physical situations, leading to results compatible with experimental evidence. The purpose of this paper is to add a new application to the list: the case of optical isomerism, which is a central issue for the philosophy of physics and of chemistry since it points to the core of the problem of the relationship between physics and chemistry. Here it will be shown that the MHI supplies a direct and physically natural solution to the problem, a solution that does not require putting classical assumptions in “by hand.”. (shrink)

El Jubileo Extraordinario de la Misericordia ha sido un importante acontecimiento eclesial, que ha permitido profundizar en esta realidad que el Papa Francisco define como “la viga maestra que sostiene la vida de la Iglesia”. En la historia de la Iglesia, los santos han vivido la experiencia de la misericordia de Dios de diversas maneras, y como vivencia personal la han reflejado en sus escritos. Es el caso de San Juan de Ávila, quien trató abundantemente sobre la misericordia tanto (...) en sus obras impresas como en su epistolario y en sus predicaciones. El presente artículo pretende resumir la riqueza del magisterio del Apóstol de Andalucía sobre la misericordia. (shrink)

The confluence of different Jewish traditions in the Qumran library is evident. The Enochic traditions are not only counted as the oldest influences in Qumran, they also give it a certain theological unity. This is even more true in the case of demonology. Belial’s figure brings together a rich lexicographic heritage in which different traditions are integrated under the characteristics of the Watchers and Giants of the Enochic tradition (1 En 6—8). This study analyzes the theological characterization of the demonological (...) figures found in Qumran to specify the Enochic influence on it. (shrink)

Los textos publicados sobre el poshumanismo han ido creciendo en los últimos años, asimismo, la recepción del fenómeno se ha hecho cada vez más matizada y los análisis diversos. Tampoco han faltado las metáforas usadas para acercar el fenómeno, un tanto nuevo y desconocido, a otros más familiares. Entre estas metáforas, una de las primeras y, a nuestro juicio, más interesantes es la de Frankenstein. No obstante, su amplio uso, consideramos que falta un análisis más detallado de los motivos antropológicos (...) y las estrategias narrativas que encierra el uso de esta metáfora como critica al poshumanismo. El artículo busca desarrollar dicho análisis. (shrink)

Although during the last decades the philosophy of chemistry has greatly extended its thematic scope, the main difficulties appear in the attempt to link the chemical description of atoms and molecules and the description supplied by quantum mechanics. The aim of this paper is to analyze how the difficulties that threaten the continuous conceptual link between molecular chemistry and quantum mechanics can be overcome or, at least, moderated from the perspective of BM. With this purpose, in “The quantum-mechanical challenges” section (...) the foundational incompatibility between chemical and SQM descriptions will be briefly recalled. “Bohmian mechanics” section will be devoted to explain the main features of BM. In “Empirical equivalence and underdetermination” section, the consequences of the empirical equivalence between SQM and BM will be discussed. Finally, in the Conclusion, we will stress the scope of the obtained conclusions and the philosophical difficulties that still remain even after adopting BM for foundational purposes. (shrink)

Hablar de antropotécnicas, biopoder y dispositivos de control es un lenguaje filosófico que hace parte de los nuevos análisis propuestos desde la biología, la fenomenología, la antropología y la teoría social a propósito de la relación que establece el hombre con la técnica y sus implicaciones en un tipo de sociedad que construye subjetividades y modos de vida atados a la artificialidad tecnológica. Este trabajo propone hacer una descripción de estos nuevos escenarios de la filosofía de la cultura, para luego (...) mostrar su incidencia en las nociones de _ecofilosofía_ y _desarrollo_, conceptos recreados en la tecno-topia narrada por el escritor inglés Aldous Huxley en la novela memorable _Un mundo Feliz_. (shrink)

The essay intends to demonstrate the need to postulate an spiritual reality in the human being as a condition of possibility of the world’s visibility. For that purpose, it employs the phenomenological method. It describes the structure of human sensitive perception. This description firstly presents the world’s structure. Secondly, it manifests the importance of the body as a border element between the soul and the world and as an organ by means of which the soul structures the world. It is (...) the second distance the distance between the body and the world. But, thirdly, the description states that, no matter how intimately the soul interpenetrates the body and requires it to know the world, the soul is not the body. It is the third distance or the primordial distance between the soul and everything else. (shrink)

San Juan de Ávila (1499-1569), predicador, reformador, director de almas, pero al mismo tiempo eminente teólogo pastoral que lideró la Contrarreforma española. El pensamiento del Apóstol de Andalucía sobre la Iglesia está formado por la riqueza de elementos pneumatológicos que aparecen en sus escritos. Esto hace que su visión del Misterio de la Iglesia sea intensamente dinámica, mostrando además que el Espíritu Santo, como alma y fuerza interior de la Iglesia, es quien sostiene y garantiza su Misión en el (...) mundo. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.2 (2003) 31-45 [Access article in PDF] Antonio Gramsci on Surrealism and the Avant-garde E. San Juan, Jr. Surrealism provided me with what I had been confusedly searching for. I have accepted it joyfully because in it I have found more of a confirmation than a revelation. It was a weapon that exploded the French language. It shook up absolutely everything....A process of (...) disalienation, that's how I interpreted surrealism. 1In the spring of 1919, André Breton and Phillipe Soupault conducted various experiments in automatic writing. They converted themselves into machines to record the whispers of the unconscious, inspired by Rimbaud's urge for adventure in quest of cosmic knowledge and Lautreamont's conviction of art as a communal enterprise. To destroy bourgeois morality and class inequality, uphold the freedom of the imagination, and release the libidinal energies dammed up in the psyche, surrealism — Guillaume Appolinaire's term 2 — was invented from the nihilistic ruins of Dada to lay the groundwork for building a society founded on liberty and justice. In the same year the Italian Marxist Antonio Gramsci founded the innovative journal, L'Ordine Nuovo and advocated the factory council (modeled after the Russian Soviets) as the germ of an emergent communist society. Both initiatives were pathbreaking in challenging the orthodoxies of modernist bourgeois culture, politics, and philosophy.When Breton published his 1924 "First Manifesto of Surrealism" privileging dreams, the unconscious, the fantastic, and marvelous, Gramsci was the principal leader of the Communist Party of Italy spearheading the opposition to Mussolini's fascist takeover. Two years later, Gramsci was arrested and imprisoned until his death in 1937. In the Prison Notebooks that occupied him while in jail, Gramsci does not — as far as I am aware — refer to Breton or to surrealism directly. But in his scattered reflections on modern art and culture in general, and in his particular observations on Italian futurism (in particular, on Filippo Marinetti and Luigi Pirandello), we can [End Page 31] extrapolate the general approach Gramsci would take toward surrealism and avantgarde art as oppositional cultural practices. This exercise may clarify what a revolutionary Marxist position should be toward the philosophical or pedagogical category of the aesthetic within the field of cultural practice and artistic production, especially in the post-Cold War epoch of nation-state realignments and the reconfiguration of globalized finance capital in the new millennium.All commentators agree that Gramsci viewed the aesthetic as a category within the terrain of historical materialism and the political economy ofvalue in general. Artistic values are rooted in the social and material practices of a specific society which defines the limits of conventional artistic forms and the subject matter available to the artist. Vision or intuition and diverse raw materials (language, sounds, dance movements, and filmic images) are indissociable. Contrary to Benedetto Croce's emphasis on transcendental intuition, Gramsci valorizes the materialization of this intuition into perceptible, sensory structure, an architectonic whole produced by intellectual discipline and shaped by an integral worldview. In short, for Gramsci, the work of art is the historicization and objectification of vision/intuition.Gramsci's conception of Marxism stresses its intrinsic dialectical method, its emphasis on processes and relations within a social formation comprised of multilayered modes of production, given the necessarily uneven development of capitalism. This mode of historicizing life not only to interpret but to change it is a guide for collective action, not a dogmatic party line. "Man 'is' precisely the process of his actions," Gramsci writes, and "relative to what we have thought and seen, we seek to know what we are and what we can become, whether it is true and within what limits that we do 'make ourselves,' create our own lives and our own destinies." 3 Here, knowledge and action are oriented toward linking the past with the present in order to fashion the future. The chronotope of revolution is essentially a collage, more precisely a montage, of transformations that amalgamates contraries, oppositions, disparities.While Gramsci did not endorse Freudian theory completely except by... (shrink)

The aim of this paper is to consider in what sense the modal-Hamiltonian interpretation of quantum mechanics satisfies the physical constraints imposed by the Galilean group. In particular, we show that the only apparent conflict, which follows from boost-transformations, can be overcome when the definition of quantum systems and subsystems is taken into account. On this basis, we apply the interpretation to different well-known models, in order to obtain concrete examples of the previous conceptual conclusions. Finally, we consider the role (...) played by the Casimir operators of the Galilean group in the interpretation. (shrink)

Perhaps the hottest topic in the philosophy of chemistry is that of the relationship between chemistry and physics. The problem finds one of its main manifestations in the debate about the nature of molecular structure, given by the spatial arrangement of the nuclei in a molecule. The traditional strategy to address the problem is to consider chemical cases that challenge the definition of molecular structure in quantum–mechanical terms. Instead of taking that top-down strategy, in this paper we face the problem (...) of the reduction of molecular structure to quantum mechanics from a bottom-up perspective: our aim is to show how the theoretical peculiarities of quantum mechanics stand against the possibility of molecular structure, defined in terms of the spatial relations of the nuclei conceived as individual localized objects. We will argue that, according to the theory, quantum “particles” are not individuals that can be identified as different from others and that can be reidentified through time; therefore, they do not have the ontological stability necessary to maintain the relations that can lead to a spatially definite system with an identifiable shape. On the other hand, although quantum chemists use the resources supplied by quantum mechanics with successful results, this does no mean reduction: their “approximations” add certain assumptions that are not justified in the context of quantum mechanics or are even inconsistent with the very formal structure of the theory. (shrink)

Introduction. Dying to see -- The anthropomorphic image : negotiations of space between body and landscape -- The imperfect replica : departures and arrivals from Naples to Nagasaki -- The visionary image : the return of the image from Brazil to Rome -- The utopic image : unsettling circuits between Chile and Rome -- Epilogue : The proliferation of the body : Francis Xavier in Goa.

Being located in the horizon of the philosophical outrage, our article purpose is to show the phenomenological basis of Max Scheler’s anthropological proposal, whose immediate antecedents were Husserl’s researches regarding to the correlation man-world, the debate held between phenomenology and the incursion of psychology within the field of the objectives sciences, the develop of a growing up discipline such as physiology, and in general the gradual consolidation of evolutionary theories, which were taking from the philosophical anthropology his conceit of prevailing (...) discipline in the explanation of human phenomena. In the midst this theoretical chaos Scheler in The man’s place in the cosmos radicalize the thesis of I – world correlation of life, guiding the study of man closer to the eidetic transcendental pretention, and beyond the purely empirical description. According to this we understand that Scheler develops an anthropological proposal with a phenomenological nature. (shrink)

Una de las novedades de la teoría mimética consiste en su mirada particular sobre el deseo humano y de sus despliegues en el campo de la literatura, asunto que ha sido materia de estudio por la filosofía, la antropología y la fenomenología. Buscamos a continuación explorar desde los insumos teóricos que se mencionan esbozar algunas ideas sobre la filosofía literaria y cómo estos mismo pueden ser brújula para orientar el lector en el estudio e interpretación de una obra literaria del (...) canon nacional: La Vorágine de José Eustasio Rivera. ¿En qué radica la novedad del planteamiento filosófico que se ha formulado en el presente ensayo? Básicamente en mostrar que la teoría mimética deriva en una filosofía literaria, que conecta con un análisis fenomenológico a propósito de cómo surge la violencia social a la luz de la expresión literaria. Para llevar a cabo dicho cometido, la propuesto se desglosa de la siguiente manera: en primer lugar, se propone una idea de lo que se entiende por filosofía literaria en relación con la apuesta del pensamiento de René Girard. Hecho esto, se procede a tematizar las relaciones entre fenomenología y teoría mimética en donde se profundiza en el análisis filosófico de los conceptos de la experiencia, el otro, la rivalidad, la vida y el deseo y la relación que guardan con la literatura. En un tercer momento, se propone el análisis filosófico que en clave mimética se aplica a la novela La Voràgine del escritor huilense José Eustasio Rivera. Finalmente, se propone en las conclusiones otros acercamientos a la teoría del deseo mimético y sus vínculos con el estudio filosófico de la literatura, de cara a la dialéctica del reconocimiento y sus intérpretes contemporáneos según la postura girardiana. (shrink)